Monday, October 24, 2016

Chocolate Watch Band - Cafe du Nord, San Francisco CA - 2001-08-01 (Flac)

Great reunion concert in 2001 with special guests : Cyril Jordan, Mike Wilhelm & Alec Palao
Enjoy with a soundboard quality !!!

01 Introduction > Instrumental
02 Gone and Passes By
03 Misty Lane
04 Are You Gonna Be There (At the Love-In)
05 It's All over Now, Baby Blue
06 No Way Out
07 So Screwed Up
08 I'm Not Like Everybody Else
09 Sweet Young Thing
10 Let's Talk About Girls
11 band introductions
12 Don't Need Your Lovin'
13 I Just Want to Make Love to You
14 I'm Movin' On


Buddy Miles Express - Expressway To Your Skull & Electric Church (1968-1969 us mix of psych, blues and soul-funk-rock - vinyl rip - Flac)

Expressway To Your Skull (1968):
Although Buddy Miles' alchemical fusion of psychedelia, blues, and soul did not truly coalesce until his masterpiece Them Changes, his debut LP, Expressway to Your Skull, remains an inspired and original statement of intent, a record that's both timeless and an unmistakable product of counterculture consciousness.
Each of the album's seven songs is a fascinating montage of sounds and styles -- acid-fuzz guitar collides with zig-zagging funk horns, and shrieking keyboards meet juke joint blues riffs head on.
Not everything works -- a cover of Sam & Dave's "Wrap It Up" is more leaden than lively, and the instrumental "Funky Mule" feels like filler -- but the remaining material is brilliant, its twists and turns navigated by Miles' deeply soulful vocals and monster drumming (by Jason Ankeny).

Electric Church (1969):
Buddy Miles' second album (credited to Buddy Miles Express) gets most of its attention in retrospect for the role of Jimi Hendrix, who produced part of it .
On its own merits, though, it's a fairly respectable soul-rock album. Hendrix was referring to his own material as "electric church" music on some occasions in the late 1960s, and likely he had something like the soul-funk-rock fusion of Band of Gypsys in mind when he conceived this.
Of course Miles played in Band of Gypsys, and there wasn't any way the music he was writing and singing on his own was going to measure up to what Hendrix was doing.
On the other hand, here his writing and singing benefit from not being placed within the context of a band in which Hendrix was primarily responsible for those functions (thus leading to inevitable unfavorable comparisons), as was the case on the Band of Gypsys album.
The songs are mostly vehicles for Miles' high, soulful vocals and the energetic funky arrangements, but as such things go they're pretty solid and pleasurable.
Naturally for some listeners, the go-to highlights will be &"69 Freedom Special," which has some good Jim McCarty wah-wah licks, and &"Miss Lady," 
While the majority of this is feel-good and brassy, Miles does show he's capable of handling more tender soul melodies and sentiments in &"Cigarettes & Coffee" and &"My Chant." (by Richie Unterberger).

01.Train - 4:55
02.Let Your Lovelight Shine - 3:24
03.Don't Mess With Cupid - 2:37
04.Funky Mule - 4:40
05.You're The One (That I Adore) - 6:20
06.Wrap It Up - 6:37
07.Spot On The Wall - 3:30
08.Miss Lady - 4:52
09.69 Freedom Special - 2:46
10.Cigarettes & Coffee - 8:43
11.Destructive Love - 4:18
12.Texas - 8:05
13.My Chant - 4:34
14.Wrap It Up - 5:45
01-07: Expressway To Your Skull (1968)
08-14: Electric Church (1969)

Expressway to your skull (1968):
*Buddy Miles (Organ, Bass, Guitar, Drums, Keyboards, Vocals
*Jim McCarty (Guitar)
*Virgil Gonsalves (Flute, Sax, Wind)
*Terry Clements (Saxophone)
*Marcus Doubleday (Trumpet, Flugelhorn)
*Bill McPherson (Flute, Sax, Wind)
*Billy Rich (Bass)
*Herbie Rich (Organ, Saxophone, Sax)
*Ron Woods (Drums)

Electric Church (1969):
*Buddy Miles (Drums, Vocals)
*Jim McCarty (Guitar)
*Bill Rich (Bass)
*Duane Hitchings (Organ)
*Bobby Rock , James Tatum, Tobie Wynn (Saxophone)
*Peter Carter, Tom Hall (Trumpet)

There 1
There 2 

Wednesday, October 19, 2016

Mint Tattoo - Mint Tattoo (1969 us rock with ex Blue Cheer) + 6 Tracks live Santa Monica 1968-01-12 - Flac)

The Mint Tattoo was born as an offshoot of the legendary 60's proto punk acid band Blue Cheer. Bruce Stephens and Ralph (Burns) Kellogg had played together in Blue Cheer on band's self titled album in 1969, but after that one album, Stevens left the band to pursue other interests. Kellogg stayed on with Blue Cheer until the demise of the band in 1971, but during his tenure with Blue Cheer he reunited with Stevens along with drummer Gregg Thomas to form the band Mint Tattoo. Produced by James William Guercio (Chicago) and engineered by Phil Ramone in New York.

An interesting oddity from 1968. Primarily blues based rock of above average quality, this group has almost progressive ambitions at times. While they don't always measure up, they do go in some fascinating directions. Unusual song structures and lyrical ideas share space with hard rockin' blues. It's no where near the quality of Jeff Beck's Truth, but this album grows on me a little more with each listen (I have an old vinyl copy I picked up second hand). The band obviously needed a little more time to grow, but they fell apart before they really had a chance to establish their sound and direction.
Bruce Stephens' raspy vocals fit the rockers, but can wear thin on some of the other numbers. He's certainly no Steve Marriot. He and keyboardist Burns Kellog show up in Blue Cheer a year later to finish out the New! Improved!! album. Kellog would hang in for a few years and albums, but Stephens would depart before finishing B.C.'s self titled album of late '69, going on to form Pilot. I suppose the songs he did with B.C. can give you a hint at what this disc sounds like, and if you enjoy those you'll probably like this.I like this album, but it falls short of its potential. Interesting artwork and ideas.(By Aron D. Rush)

Mint Tattoo:
Bruce Stephens - Lead vocals, Guitar 
Gregg Thomas - Drums, Percussion
Ralph Kellog - Bass, Keyboards, Vocals

Tracks Listing
01- Sister Bleu
02- Leper's Epitaph
03- Policeman's Ball
04- Littal Lieu Lieu's Revenge
05- Faces of Roses
06- I'm Talking About You
07- Wrong Way Girl
08- Scorpio Woman
09- Mark Of The Beast
10- Moanin'
11- With Love
12- I Hear the Spirits

Live Santa Monica Ca - 1968-01-12 (Very Good Audience)
01. You're Gonna Need Someone 4:06 
02. Desire 4:20
03. Policeman's Ball 4:21
04. Walk On By 5:17
05. What Will You Do 4:18
06. Mark Of The Beast (cut) 1:55

Thursday, October 13, 2016

The Rockets - Love Transfusion + Demos Tapes (1976-1977 Great Us Rock & Roll - Cd Reissue + Bonus Tracks - Flac)

ROCKETS HISTORY.... The Rockets were formed in 1972 by former Mitch Ryder & The Detroit Wheels members Johnny "Bee" Badanjek and Jim McCarty. Vocals and drums were handled by Bandajek, McCarty was on lead guitar, John Fraga was on bass and Marc Marcano was on keyboards. Johnny Bee was the driving force and primary songwriter for the Rockets. In the early days, The Rockets paid their dues playing gigs at venues such as, The Rainbow Room and The Peoples Ballroom in Detroit, and The Rock 'N Roll Farm in Wayne Michigan.
The band took on a new sound in 1976 when David Gilbert was brought in to take over vocals from Johnny Bee. Gilbert had fronted several garage bands and had a brief stint singing for Ted Nugent and The Amboy Dukes in 1971. His drinking and drug habits didn't set too well with the Motor City Madman. Gilbert's raw vocal power proved to be just the ticket to complete the Rockets sound. However, as Nugent had before them, Badanjek and McCarty quickly realized Gilbert would be trouble for the band with his frequent drug and booze binges. The friction between them would go on for seven years before it eventually tore the band apart.
Five studio albums produced several minor hits including a rocking rendition of Fleetwood Mac's "Oh Well". Always a popular group in Detroit, and Michigan, The Rockets had gotten some attention outside of the state, but never really got the big break to become a true national act. The first album, Love Transfusion, was released in 1977. It failed to produce any hits. The 1979 self-titled release featured the hits, "Oh Well" and "Turn Up The Radio". This record also featured on bass, David Hood, one of the "Swampers" from the famous Muscle Shoals Sound Studios in Alabama. Muscle Shoals was mentioned in Lynyrd Skynyrd's southern rock anthem "Sweet Home Alabama". Also, this Rockets album was dedicated to Skynyrd members Ronnie Van Zant, Steve Gaines and Cassie Gaines, who all perished in Skynyrds infamous 1977 plane crash. The third attempt came in 1980 with "No Ballads", "Desire" was a popular tune from this album. Next came the "Back Talk" album in '81 and then finally "Rocket Roll" in 1982. "Rollin' By The Record Machine" from this release was the last hit for the band. The final release, "Live Rockets" was recorded on New Years Eve 1982 at the Royal Oak Music Theatre near Detroit.

01- Fast Thing In Detroit
02- Fell Out Of Love
03- My Heart Needs You
04- Lookin' For Love
05- I Got To Move
06- Ramona
07- Fly Little Bird
08- Love Transfusion
09- She's A Pretty One
Bonus Tracks (From Demos Tapes)
10- Lufrania
11- Thing In 'D'
12- Working Man Blues
13- Rock'n'Roll
14- Feel Alright
15- Rocket Car Wash Blues
16- Juke-Box Daddy (Instrumental) 

Monday, July 18, 2016

Armageddon - Armageddon (1970 Germany Great Heavy Psychedelic Rock - Flac)

Not to be confused with the UK outfit, this German release from 1970 is an absolute belter of an album. Hard rock with definite progressive and psychedelic edges, the guitar of Frank Diez drives this one all the way.
Why didn't this group record more than just one album? Their self-titled album is a heavy progressive masterpiece with excellent, Hendrix-influenced guitar work and vocals by Frank Diez. Armaggedon was the start of his long and impressive career. Their album had six tracks, and two of them were cover versions. Most impressive was the 10-minute version of Jeff Beck Group's "Rice Pudding". This track had some of the greatest heavy guitar riffing to appear on a German record. Their version of Spooky Tooth's "Better By You, Better Than Me" was also competent enough. In addition, both Frank Diez and Manfred Galatik (electric piano, bass and vocals) wrote great songs, as typified by the tracks "People Talking" and "Open". Michael Nürmberg (bass, rhythm guitar) and Jurgen Lorenzen (drums) provided a strong backing. Armaggedon's album has rocketed in price during recent years, due to the ever increasing interest. However, demand for the group was poor way back in 1970, and Armaggedon soon broke up. Diez never played material with a similar energy again, his next step was to join the 'slightly-above-average' jazz-rockers Emergency.  He later played with Randy Pie, Karthago, Ihre Kinder and Atlantis.  Luckily the Armaggedon album was released on CD in 1991 with a sharp and clean digitally remastered sound (in a limited edition of 1,000 numbered copies). 

01- Round (4:12) 
02- Open (7:31)
03- Oh Man (6:01)
04- Rice Pudding (9:40)
05- People Talking (5:02)
06- Better By You, Better Than Me (4:36) 
    Frank Diez - Lead Guitar, Vocals
    Manfred Galatik - Keyboards, Bass, Vocals
    Michael Nürmberg - Bass, Rhythm Guitar
    Jürgen Lorenzen - Drums

    Fleetwood Mac - The Roundhouse London - UK - April 24th 1970 - Fantastic Sound (Flac)

    April 24, 1970 — In early April, when Fleetwood Mac returned to London after an emotional European tour, Peter Green, devastated by drugs, suddenly announced he would be leaving the group in late May. Clifford Davis, the band’s manager, reluctantly began cancelling an upcoming British tour set to begin the following month. Relationships in the stunned band were strained, but the Mac still had to complete recording “The Green Manalishi (With the Two-Prong Crown)”, Peter’s final studio effort with them, as well as a B-side for the single. To underscore the troubled band relationships, Jeremy Spencer opted out of these sessions to work on his own album.
    Despite the high tension, the recording sessions at De Lane Lea Studios in London, driven by the intense music, still had their moments. Mick set up his new gong, surrounded by six microphones and miles of cables, in the underground car park below the studio. When Mick banged his gong, that car park vibrated like a giant bell with an eerie ringing that reverberated off the walls. Talk about an echo! Another night, Carlos Santana showed up, and it didn’t take long for a lengthy jam session to start. In the past, Peter often hit upon brilliant melodic ideas in the midst of jams like these, and on this night, he was showing Santana some pretty impressive licks. At some point, Peter had introduced Santana to “Black Magic Woman”, the hit that Carlos would record shortly thereafter for his own band’s second album. Throughout the sessions, Clifford did his best to convince Peter to stay, but Greenie steadfastly maintained his intention to leave, seemingly happier now that his decision was public.

    Eric Clapton & Stan Webb's Chicken Shack - Post Cricket Jam - Finchley Cricket Club - August 14th 1987 (Wave)

    01) Every Day I Have the Blues
    02) The Thrill Is Gone
    03) Rich Man's Blues
    04) Cocaine
    05) Sweet Sixteen
    06) I'd Rather Go Blind
    07) Going Up, Going Down
    08) Long Distance Call
    09) Further On Up the Road
    10) I'm Tore Down

    Excellent concert with two Masters of the "British Blues Boom"
    Enjoy !!!


    David Crosby - If I Could Only Remenber My Name The Alternate Album Late 1970

    Mike Bloomfield All Stars Featuring John Cipollina - Prisoner's Benefit, Old Waldorf - San Francisco - April 20th 1977 (Flac)

    1. I Don't Want No Wife
    2. Movin'
    3. You Send Me
    4. Feel So Bad
    5. Mr. Pitiful
    6. Tell It Like it Is
    7. When I Was a Cowboy
    8. Women Lovin' Each Other
    9. Try It Before You Buy It
    10. Too Much Monkey Business
    Mike Bloomfield - guitar, vocals & piano
    John Cipollina - guitar
    Mark Naftalin - piano
    Roger Troy - bass, vocals
    Robert Jones - drums, vocals
    Bloomfield & Cipollina playing together !!!!
    Enjoy !!!

    Friday, May 13, 2016

    Yesterday's Children - Yesterday's Children (1969 awesome us psychedelic hard rock with powerful vocals and guitars - Flac)

    Pretty rockin' American psychedelic stuff from 1969. The guitars and the vocals are very impressive especially on the tracks "Sailing" and "Hunter's Moon." After listening to the album a few times, it grows on you and just want to rock out! If there is such a thing as psychedelic metal, "Hunter's Moon" perfects and embodies it. For the most part, it is a great slice of psychedelic hard rock from America. Give props to it's heaviness for 1969.
    Excellent album. Every song is five stars, well maybe two are 4, but still better than 98% of late 60's bands. Many of the songs have dark riffs and thundering drums that are echoed in later Metal bands. It's a shame they didn't make any other records. The track Hunter's Moon was worth the price all by it's self.(By GhostWriter)
    GhostWriter is right when he says that they didn't make another record, this group is absolutely awesome .How such a great group can disappear after only one album !!!

    01. Paranoia
    02. Sad Born Loser
    03. What of I
    04. She's Easy
    05. Sailing
    06. Providence Bummer
    07. Evil Woman
    08. Hunter's Moon

    Reggie Wright - lead guitar
    Denis Croce - vocals
    Richard Croce - guitar
    Chuck Maher - bass
    Ralph Muscatelli - drums

    The Pretty Things - 1985 - Live At The Hearbreak Hotel - Vinyl Rip - Flac


    01- Big Boss Man
    02- Midnight To Six
    03- King Bee
    04- Honey I Need
    05- Shakin' All Over
    06- Rosalyn
    07- Road Runner
    08- Mama, Keep Your Big Mouth Shut
    09- Raining In My Heart
    10- Around And Around
    11- Don't Bring Me Down
    12- Mona


    Phil May - vocals
    Dick Taylor - guitar
    Joe Shaw - guitar
    Kevin Flanagan - saxophone
    Dave Wintour - bass
    John Clarke - drums

    Wednesday, April 13, 2016

    McPhee - McPhee (1972 Australian heavy psych prog - Flac)

    Recorded in 1972 and re-mastered by producer Martin Erdman in 2009, this rare recording stands as a defining moment in the history of Australian rock. 

      McPhee 'McPhee' In the pantheon of Australian early 70's progressive rockdom, McPhee must rank as one of its most obscure outfits. McPhee's solitary album appeared to little fanfare in early 1972 and simply sank without trace.
      It's likely that only 500 copies were ever pressed so it rates as a significant rarity. More importantly, 'Mc Phee' stands as one of the great lost treasures of Australias progressive rock era, a truly fascinating artefact of tremendous scope. The tapes have been dusted off so that you can hear this hard-hitting underground masterpiece in all its glory.
      McPhee played the local club and bar cicuit around Sydney and in 1971 entered producer Martin Erdman's World Of Sound studio in order to record an album. The sessions yielded material culled from the bands live repertoire including five cover versions. McPhee's influences extended from the prevailing Acid-rock trends of the day, to the emergent sounds of progressive rock with a smattering of contemporary rock hits.
      From the outset it is clear that McPhee is imbued with a crucial kick and gritty sense of purpose. It is brimming with acidy, wah-wah fuelled lead breaks and some of the most awesomely heavy and stunning Hammond organ playing to be heard anywhere on an Australian album.

    01. The Wrong Time - 6:35
    02. Sunday Shuffle - 3:22
    03. Southern Man - 5:50
    04. Indian Rope Man - 7:14
    05. Superstar - 5:04
    06. I Am The Walrus - 8:00
    07. Out To Lunch - 10:38

    Faye Lewis - Vocals/Percussion
    Tony Joce - Guitar
    Benny Kaika - Bass
    Jim Deverell - Hammond Organ/Electric Piano/Vocals
    Terry Popple - Drums

    Droogs - Stone Cold World & Kingdom Day (1984-1987- Us great mix of garage & neo-psychedelic rock - Wave)

    Los Angeles-based band, The Droogs's greatest success has come in Europe. While their garage band approach has yet to capture an American audience, their recordings have received an enthusiastic response overseas. German record label, Music Maniac, reissued their albums, Mad Dog Dreams and Guerrilla Love-In, and released a compilation of their singles, Anthology. Their 1997 album, Atomic Garage, was released by the Spain-based Impossible Records label.
    Formed in the early-1970s, the Droogs chose a cover of Sonic's "He's Waiting" for their debut single in 1973. Their second single, released five years later, "Set My Love On You", showcased the songwriting of vocalist Ric Albin and his brother and guitarist, Roger Clay. Other original tunes were included on the multi-artist samplers, Saturday Night Pogo, in 1978, and Ahead Of My Time, the following year.
    The Droogs experienced a major change with the arrival of former Textones and Dream Syndicate bassist and keyboards player, Dave Provost in the early-1980s. Provost made his presence felt on a four song EP, Heads Examined, in 1983 and their debut full-length album, Stone Cold World, in 1984.
    Although their future appeared secure, after singing with the PVC/Jem label, the Droogs continued to find fame evasive. While touring the Midwest, in support of their 1987 album, Kingdom Day, the label declared bankruptcy and went out of business.
    After building a solid following in Europe, the Droogs turned their focus back on the United States, releasing an album, Want Something, in 1990, that included tracks from their European albums and bonus tracks.

    Ric Albin : vocals  
    Roger Clay : guitars , vocals  
    David Provost : bass , keyboards  
    Jon Gerlach : drums , percussion

    Stone Cold World
    01-Change Is Gonna Come
    02-Set My Love On You
    03-For These Remaining Days
    04-Stone Cold World
    05-Mr. Right
    06-From Another Side
    07-He's Waitin' (Live NYC)
    08-Only Game In Town (Soundtrack Version)
    Kingdom Day
    09-Stranger In The Rain
    10-Quarry Street
    11-Call Off Your Dogs
    12-Jack Of Trades
    13-Kingdom Day
    14-Webster Field
    15-Collector's Item
    16-When Angels Fall
    17-Countdown To Zero


    Tuesday, December 22, 2015

    Journey - Charge Of The Light Brigade (Unreleased 1973 Studio Recordings - Flac)

    The unfinished album by the original pre - Steve Perry Journey. 13 tracks from the fusion tinged rockers plus 3 live tracks from 
    a pre-Journey Schon fusion band known as Birthday.
    Includes the title song & more rare unreleased masterpieces.

    Neal Schon - Guitar
    Ross Valory - Bass
    Gregg Rolie - Vocals, Keyboards
    George Tickner - Guitar
    Prairie Prince - Drums

    01 - Mystery Mountain [Studio Mix - Unfinished]
    02 - In the Morning Day [Studio Mix - No vocals]
    03 - Charge of the Light Brigade?, - [Fusion w-Killer Neal Solos]
    04 - unknown instrumental, a nice ballad, kind of in a Jeff Beck/Santana style
    05 - To Make Some Music [Studio Mix - no vocals]
    06 - In My Lonely Feeling/Conversations [Studio Mix - no vocals]
    07 - unknown instrumental
    08 - Can You Hear Me?
    09 - Kohoutek [Studio Mix - Differs from Released Version]
    10 - Unknown Agressive Fusion Track [Schon lights it up]
    11 - To Make Some Music [no vocals, Alt Version to track #5]
    12 - Unknown Fusion Track
    13 - Charge of the Light Brigade? [Alt Version -Faster Tempo]
    14 - Concert Cut 1/1/73 Your Little Girl (Neal Schon/Gregg Rollie - Birthday)
    15 - Concert Cut 1/1/73 Voodoo Chile (Neal Schon/Gregg Rollie - Birthday)
    16 - Concert Cut 1/1/73 Tonight (Neal Schon/Gregg Rollie - Birthday)


    Monday, December 21, 2015

    Chicken Legs Featuring Members Of Little Feat & Catfish Hodge Band - Warner Theater - Washington DC - November 18th 1980 - Wava FM - Flac)

    Catfish Hodge has been called an "American folk blues hero" and has been a mainstay on the American Blues music scene for three decades now! He has twenty four albums to his credit, comprised almost totally of original material. "Catfish Blues" and "Like A Big Dog Barkin’" on the Wildcat label, and "Eyewitness Blues" on Genes CD were released in 1994 and 1995. While growing up in Detroit, Hodge was sneaking into Motown Records Hitsville studio to catch the Four tops and the Supremes and grooving to R&B and Blues . He became a regular opener for Bonnie Raitt and Little Feat, who also started showing up on his recordings. When he formed the Chicken Legs Band in 1981, he was joined by Little Feat’s Paul Barrere, Richie Hayward, Kenny Gradney and Sam Clayton.

    Catfish Hodge 
    Paul Barrere 
    Kenny Gradney
    Sam Clayton 
    Richie Hayward 
    Mitch Collins 
    Dixie C. Balin 
    Pete Ragusa (On Old Folks Boogie) 
    Jimmy Thackery (On Elmo's Blues)

    Chicken Legs
    01 - Holiday
    02 - Down Over The Border
    03 - I Got That Record Executive Blues Again
    04 - Drown In A Sea Of Love
    05 - Old Folks Boogie*
    06 - I Got a Mess of the Blues
    07 - A Apolitical Blues >
    08 - Boogie Man Blues >
    09 - A Apolitical Blues
    10 - Talking
    11 - High Roller
    12 - Stay All Night
    13 - Pump It Up
    14 - Band Intros
    15 - Elmo's Blues#
    16 - Down On The Farm
    Nighthawks (Opener)
    17 - Pretty Girls and Cadillacs
    18 - Little Sister
    19 - Tripe Face Boogie

    Harvey Mandel & Friends - Get Off In Chicago - 1974 - (Psychedelic Blues - Vinyl Rip - Flac

    While Mike Bloomfield & Al Kooper recorded in their adopted home of California, using their new rock-star friends to assist on their two "Super-Session" recordings, Mandel came home to Chicago, assembled the most worthy players from Chicago's jazz, rock & blues scenes, & jammed for two days.: An "Underground-Super-Session", if you will.
    Vinyl rip & scans by myself from the vinyl collection of my friend Cipcal ...
    Enjoy !!!

    01 Check Me Out 3:46
    02 Local Days 3:34
    03 Highway Blues 3:09
    04 Sweet Lynda3:065High-Test Fish Line 5:19
    06 I'm a Lonely Man 6:26
    07 Race Track Daddy 5:52
    08 Springfield Station Theme 6:28
    09 Jellyroll 3:52

    Peter Milio - Drums
    Craig Rasband - Bass
    G.E. Stinson - Guitar
    Nick Tountas - Bass
    Norman Wagner - Guitar
    Bob Davis - Drums
    Judy Roberts - Keyboards, Vocals
    John Bishop - Guitar
    Don Cody - Bass
    Dave Cooke - Keyboards
    Freddie Fox - Vocals
    Vicki Hubley - Vocals
    Phil Johnson - Drums
    Rusty Jones - Drums
    Ira Kart - Keyboards
    Kenneth Little - Bass, Vocals
    Harvey Mandel - Guitar


    Sunday, November 29, 2015

    David Crosby & Friends - The Perro Sessions 1971 - Part 04 - 2 Cds (Flac)

    David Crosby – guitar, vocals
    Graham Nash – guitar, vocals
    Paul Kantner – guitar, banjo, vocals
    Grace Slick – piano, vocals
    Jorma Kaukonen – lead guitar
    Jack Casady – bass
    Jerry Garcia – guitar, vocals
    Phil Lesh – bass
    Bill Kreutzmann – drums
    Mickey Hart – percussion
    David Freiberg – viola, vocals

    Cd 01 New  Link
    Cd 02