Friday, August 11, 2017

Someones Band - Someones Band (1970 uk great psych blues rock - flac)


This group got together via word of mouth and an advert in Melody Maker. They made a demo for Decca, who then sanctioned this album, which is now a monster rarity. Given that it was recorded in the course of a single night, it's a surprisingly polished and varied collection of progessive blues and soul. Also the influence of jazz, funk and African music is evident. Acoustic guitars meet wild electric guitar solos with a bluesy vocalist. One of my all-time favourites!! (Record Collector)

Musicians
Cecil James - Vocals, Percussions
Melvin Buckley - Guitar
John Coxen - Guitar
Terry Powney - Bass
Woody Martin - Drums, Percussions
Produced by Steve Stevenson

Tracklist
01.  Country ride • (Buckley)
02.  How it began • (James, Coxen)
03.  Blues for brother "E" • (James, Coxen)
04.  I wanna go where I belong • (James, Buckley)
05.  Hands of time • (Buckley)
06.  Alice • (Buckley)
07.  Give it to you • (James)
08.  Trouble is • (Buckley)
09.  A Story • (Buckley)
10.  Manhunt • (Martin) > Fiddlesticks • (James)


Here

Sunday, August 6, 2017

Nick Gravenites - Bluestar (1980 Great Us Blues & Blues Rock - Flac)


01. Junkyard in Malibu (04:49)
02. Bye Bye (03:59)
03. I'm a Bluesman (03:43)
04. Dekalb Blues (03:07)
05. Blues Back Off (04:47)
06. Who's Out There (03:14)
07. Down in the Bottom (03:08)
08. I'm a Dancing Fool (02:49)
09. The Sister Song (03:38)
10. My Party (03:23)
11. Southside (02:54)
12. Nobody's Fault But Mine (03:58)
13. Rattlecan Man (07:00)
14. Hollywood Woman (08:27)


Nick Gravenites - Lead & Rhythm Guitar
Pete Sears - Bass, Piano, Organ
Joey Covington - Drums
Huey Lewis - Harmonica
Greg Douglas - Slide Guitar
Willy Toast - Rhythm Guitar, Slide Guitar
John Cipollina - Rhythm Guitar
Roger Troy - Bass, Vocals
Marla Hunt - Vocals
Diane Hursh - Vocals

Here

Tear Gas - Tear Gas (1971 outstanding uk hard rock - Flac)


Originally known as Mustard. Their first vocalist Andy Mulvey had previously been with The Poets. However, he was soon replaced by David Batchelor and around the same time Gilson Lavis (their original drummer, who later played with Squeeze) was replaced by Richard Monro from Ritchie Blackmore's Mandrake Root. This line-up recorded Piggy Go Getter, which made little impact. In 1970 Hugh McKenna took over Batchelor's vocal role and Ted McKenna (ex-Dream Police) relieved Monro on drums. They recorded a second album and tried to establish themselves on the underground scene but were going nowhere with their brand of tired boogie heavy rock, until they teamed up with Alex Harvey in August 1972 to become The Sensational Alex Harvey Band. This 1st album is a real MUST for those who like UK hardrock from the early 70s.



Tracks List :
01. That's What's Real
02. Love Story
03. Lay It On Me
04. Woman For Sale
05. I'm Glad
06. Where Is My Answer
07. Jailhouse Rock-All Shook Up
08. The First Time
09. The Temptation Of St. Anthony (Live)


Credits
Davey Batchelor - Vocals, Guitar
Zal Cleminson - Lead Guitar
Chris Glen - Bass
Eddie McKenna - Drums
Ted McKenna - Drums on Temptation
Hugh McKenna - Keyboards on Temptation
Alex Harvey - Vocals on Temptation

Here

Eric Quincy Tate - 1972 Drinking Man's Friend - 1975 Eric Quincy Tate (Great US Southern Rock - Mp3 @320)


Eric Quincy Tate - Drinking Man's Friend - 1972

Tracklist
01- Brown Sugar 3:55
02- Things (I Think I'll Find) 6:55
03- Whiskey Woman Blues 5:23
04- Another Sunshine Son 2:59
05- Water to Wine 1:58
06- Can't Get Home from Your Party 3:20
07- Texas Sand 2:59
08- Suzie B. Dunn 4:54

Credits
Donnie McCormick - drums and lead vocals
Tommy Carlisle - guitars
David Cantonwine - bass
Joe Rogers - keyboards, harp and background vocals


Eric Quincy Tate - EQT - 1975

Tracklist
01- Honky Tonk Man 3:18
02- No Rollin' Boogie 4:40
03- Food, Phone, Gas And Lodging 2:40
04- Chatta Hoochee Coochee Man 2:25
05- Wide Open 3:55
06- Drivin' Wheel 6:15
07- Big Boss Jam 15:22

Credits
Donnie McCormick (Drums, Harmonica, Vocals)
Joseph Rogers (Harmonica, Keyboards)
David Cantonwine (Bass)
Tommy Carlisle (Dobro, Slide Guitar)
Wayne Sauls (Acoustic, Electric, Background Vocals)


Second and third album by EQT in Mp3 @320 (I don't have lossless version)

Eric Quincy Tate - Eric Quincy Tate (1971 us great southern rock - 2006 edition with bonus tracks - Flac)



Tracklist 
01. Stonehead Blues 
02. I Want 'Cha 
03. Try a Little Harder 
04. On the Loose 
05. Makes No Difference 
06. When I'm Gone 
07. Comin' Down 
08. Hooker House 
09. The Bream Are Still Biting in Ferriday 
10. Ain't It a Bummer 
11. License to Love 
12. Stonehead Blues - (previously unreleased, Bonus Track/Demo)
13. Comin' Down - (previously unreleased, Bonus Track/Demo)
14. Ain't It a Bummer - (previously unreleased, Bonus Track/Demo)
15. Gimme Some Lovin' - (previously unreleased, Bonus Track/Demo)
16. Blowin' the Clouds Away - (previously unreleased, Bonus Track/Alternate Version)
17. Get on the Road - (previously unreleased, Bonus Track)
18. I Don't Know Much - (previously unreleased, Bonus Track) 

Credits
Donnie McCormick - Lead Vocals - Drums
Tommy Carlisle - Guitar - Vocals
David Cantonwine - Bass
Joe Rogers - Keyboards - Vocals
The Memphis Horns - Brass
Duane Allman - Slide Guitar
The Dixie Flyers - Session Work  

  To boil it down into a couple sentences; if 70's R&B/blues is your thing, then this disc is a must have! At the very least, it can safely be labled as criminally forgotten.
  First of all, Eric Quincy Tate was not an individual but rather a blue-eyed R&B outfit playing the club circuit in Texas when they were discovered. This swampy concoction, there first and only studio effort, was recorded at the "Sounds of Memphis" studio in 1971. The cast of characters was absolutely stellar! Three legends share production credit; Tony Joe White, Jerry Wexler and Tom Dowd. The personnel roster boasted the Dixie Fliers(house band for the studio), overdubs by the Memphis Horns and a cameo appearance on slide by none other than Duane Allman. Only the drummer/vocalist and guitarist from the actual band were allowed to play on the LP; which gives the digitally remastered original tracks a tighter, more professional feel than the bonus tracks which feature the "real" band. The "demos" by the real band, which form the last part of the disc, have a looser, more naive and therefore sincere groove. The sound quality throughout is excellent.
  All in all, this disc easily qualifies as one of the best 70's releases that you never heard of. The song writing is superior and the instrumental attack is engaging throughout.I strongly recommend it. (By C. Pumarejo "Bunny Rabid")

Here

Wednesday, August 2, 2017

Mystery Train With Motor City Josh - Live At Brothouse - 1999-09-17 - Flac

By request ...
Great blues, with guitar dialogue between Jim "Les Paul" McCarty and Motor City "Telecaster" Josh . No tracks listing (Any help is welcome)

Here

Friday, July 28, 2017

Motor City Josh & The Big Three - 2008-12-27 - Fat Iguana - Madison Heights, MI (Flac)


By request
Excellent show of Motor City Josh & The Big Three ...
Thanks to Billy Bardo for the original seed ...
Enjoy !!!

Monday, May 29, 2017

Free Will - Live At Jabberwocky 1970 (Great us hard rock - flac)


Great Free Will stuff for all the fans of Mark Doyle & Joe Whiting . Enjoy this great Rock album ! 



Monday, May 15, 2017

Catfish Hodge - Boogieman Gonna Get Ya (1973 great us detroit boogie blues & rock - Flac)


01.Different Strokes 3:47
02.Ghetto 3:12
03.Hungry Love 6:54
04.I Want You (She’s So Heavy) 5:28
05.I’ll Be Gone 5:42
06.Stop 2:42
07.I’m The Man 3:28
08.Boogie Man 9:44

"Hodge possesses a voice that can be heard miles away but can get so low and ethereal you’ll swear he’s singing through you. Few can compare with this man’s power and effect!" (Rolling Stone Magazine)




Catfish Hodge- Vocals
Dallas Hodge- Guitar
Shakey Al Werneken- Guitar
Bob Babitch- Piano
William H.Laudless-Bass
Pat Freer- Drums
Jerry Paul- Percussion

Terry & The Pirates - Record Plant - Sausalito, CA - Ksan FM - 1973-06-24




Setlist:
01. Instumental - Intro Tom Donahue 1:55
02. Fifth Of Bliss 6:09
03. Ready For The Country 4:05
04. Angie 5:55
05. Truer Than Blue 6:12
06. Inlaws And Outlaws 6:09
07. Walking The Plank 4:14
08. Tom Donahue's Band Introduction 0:42
09. Rave On 3:36
10. Nothing To Lose 4:37
11. Purple And Blonde 5:36
12. Rainbow 3:59
13. Queen Of Thieves > Tom Donahue Outro 5:56

Total Time: 59:05

Terry Dolan - Guitars & Vocals
Greg Douglass - Guitars
John Cipollina - Guitars, Electric 12-String on 7
Hutch Hutchinson - Bass
David Weber - Drums

Great FM concert by Terry & The Pirates ...In 1973 Terry Dolan was backed by Greg Douglass on Guitar and a part of Copperhead with Hutch Hutchinson on Bass ...David Weber on Drums ....And Of course the "Master" himself on Guitar ...Mr John Cipollina !!!
Enjoy !!!

The Gravenites Cipollina Band - Monkey Medecine (1982 Great US Blues Rock - Cd Reissue - Flac)



John Cipollina (Quicksilver Messenger Service) and Nick Gravenites (Electric Flag) join forces on this release of blues and rock. Recorded in 1982, this reissue features the bonus tracks "Born In Chicago" and "Small Walk-In Box."
The music of the Gravenites-Cippolina Band was unlike any other. It can't be compared to Quicksilver Messenger Service...which band was the apple and which the orange?
The Gravenites-Cipollina Band created unique blues rock. It picks up where Mike Bloomfield left off.This is a very rare release of what the band was doing at the time...at their best.(By traveling wilbury)



Tracklist
01- Blues in the Bottle (4:03)
02- Six Weeks in Reno (4:29)
03- I'll Pull the Trigger (3:32)
04- Trust Me (3:48)
05- Buried Alive in the Blues (5:13)
06- Born in Chicago (4:12)
07- Bad Luck Baby (7:31)
08- Signs of Life (3:49)
09- Pride of Man (3:51)
10- Hot Rods and Cool Women (3:34)
11- Small Walk-In Box (7:47)

Personnel: 
John Cipollina - Guitar
Nick Gravenites - Guitar, Vocals
Al Staehely - Bass, Vocals
Marcus David - Drums

Here

Copperhead With John Cipollina - Hollywood Palladium LA - 1972-04-28 (Flac)



01- Kibitzer
02- Highway #9 (aka Back Roads)
03- Spin Spin
04- Wang Dang Do
05- Rider
06- Cobra
07- Drunken Irish Setter
08- Instrumental
09- Bigelow 6-9000
10- Roller Derby Star

John Cipollina - Lead Guitar
Jim McPherson - Vocals, Piano
Gary Philippet - Vocals, Guitar
David Weber - Drums
Hutch Hutchinson - Vocals, Bass

Excellent and rare concert of Copperhead ...
Enjoy !!!

Here

The Sheiks With John Cipollina - My Father's Place - Roslyn - NY - August 07 1977 (Flac)


Summer of 1977. I'd quit working as roadie/soundman/fill-in drummer for local NY band The Sheiks. I decided it was time to be in my own band. Anyway, we heard that the night club, My Father's Place, somehow got in touch with John Cipollina and convinced him to come to NY and play with a couple of local bands, especially the Shieks. He came in mid week and made it in time for the later part of the evening at another of the clubs they usually played called Arthurs in Massapequa, NY. It was great to see John playing with my old friends in a local bar. As we didn't see john in NY too often then, we had no idea that he normally played with everyone all the time back in S.F. They rehearsed the next night and afterwards the Sheiks took John to see local blues legend, Little Buster. I understand he did sit in but nothing was recorded. The next 2 nights, the Sheiks along with John, played at the most popular local club in the area, the Right Track Inn in Freeport, NY. After the 2nd night, I took John back to his hotel where we stayed up all night talking about the heyday of the bay area and listening to tapes he'd brought with him. About 5 am, a knock at the door surprised me. It was Link Wray, who was staying in the next room and who would be opening the following night's show at My Father's Place. As the Sheiks normally played sunday nights at the Right Track, my new band ended up taking their place meaning I could not attend the show at My Father's Place. I was able to get another friend of the Sheiks to record the show. Unfortunately, he either wasn't prepared or didn't know who Link Wray was so that set, which included John guesting from what I heard later, was not taped. So, here's the complete Sheiks and John show that's gone around for many years in an incomplete form and with some incorrect information. Another result of this meeting was Sheik's guitarist Don Gaynor's decision to leave and do a solo lp. He ended up moving to S.F. and eventually played in the Heart of Gold Band with the Grateful Dead's Keith and Donna Godchaux.
Enjoy !!! (Dave Tamarkin)
.

Jack Bruce & Friends - (Larry Coryell - Mitch Mitchell - Mike Mandel) - Fillmore East NYC - January 31 1970






Great performance by one of the first "Supergroup"
.

Monday, April 3, 2017

Alkatraz - Doing A Moonlight (1976 uk classic rock with great guitars - vinyl rip - Flac)


Meanwhile, after his stint in The Neutrons, Will Youatt joined up with his ex-Quicksand partner James Davies to found Alkatraz, a fabulous and all too short-lived band who we'd hoped would carry the welsh rock flag into the eighties. Their one release, Doing A Moonlight, is a really superb example of intelligent and well-executed guitar based rock.
Another in a long line of good UK rock LP's released just in time to be summarily ignored with the rise of punk rock. Alkatraz were based in Wales and slapped together by Will Youatt formerly of Man and Neutrons who put out an excellent album in 1975 - 'Tales from the Blue Cocoons' which also featured drummer Steve Halliday and guitarist Jimmy Davies who could previously be heard in the prog band Quicksand. Not sure about bassist Jeff Singer but lasting for just one record, Alkatraz split up while recording the follow-up for reasons unknown but my guess is changing attitudes towards all things young and punky at ye old record company might have been partially to blame.
With a heavy looking logo on the back sleeve record buyers were probably inclined to believe the music matched the image but this wasn't the case with Alkatraz. The reality was this was a nice rock album with touches of San Francisco west coast similar in many ways to Man and the later Quicksilver Messenger Service albums with plenty of jamming and a side of pop. The first two tracks are excellent in particular 'Red Lights' which sounds like early Doobie Brothers jamming with Sea Level while 'Nito Bandito' has a fantastic Steely Dan element to it. Elsewhere 'Maybe Monday' combines soft rock with an almost Starcastle-like arrangement and ultimately 'Doing A Moonlight' while not totally original is a pleasant listen and it'd be interesting to hear the tapes from that doomed second album as Alkatraz were definitely a band with potential.

Tracklist
1 Stay Out of Town 
2 Red Lights 
3 Zen Cookies 
4 Nito Bendito 
5 The Ounze That Jack Built 
6 Maybe Monday 
7 Nobody Like You 
8 Every Night and Every Day 
9 Ti Jean

Credits
Jimmy Davies - vocals, guitar 
Stuart Halliday - drums 
Jeff Singer - bass, vocals 
Will Youatt - guitar, vocals 
Additional Musicians: 
Jimmy Jewell - sax 
Clive John - keyboards 
Ray Martinez - slide guitar

Here

Alkatraz - Live Roundhouse London 1976 & Quartier Latin Berlin1977 - Flac



Rare live tracks of this short lived Welsh group , who have recorded only one studio album ...
Enjoy !!!



Disc 01
Disc 02

Friday, March 31, 2017

Agnes Strange - Strange Flavour ( 1975 great uk hard rock and hard blues - Flac)


Re-issue very rare UK album from 1975 by this UK power trio with Hendrix/Taste/early Quo leanings. Plenty of guitar work and a heavy rock attitude. Somewhere between late '60's acid rock and late '70's metal. Features 5 bonus tracks and a booklet that contains band history and reproduction of UK and European artwork.A bluesy hard rock combo from Southampton whose album is very sought-after by some. The small Birds Nest label was distributed by Pye and their second 45 was also on a Pye subsidiary label although strictly outside the archive's time frame, both cuts are non-album and very rare.




Tracklist
01. Give Yourself A Chance (Single Mix) - 3.28
02. Clever Fool - 3.23
03. Motorway Rebel - 4.04
04. Travelling - 2.53
05. Strange Flavour - 3.55
06. Alberta - 5.43
07. Loved One - 5.59
08. Failure - 5.18
09. Children Of The Absurd - 7.47
10. Odd Man Out - 3.53
11. Highway Blues - 5.30
12. Granny Don't Like Rock'N'Roll - 5.21
13. Inteference - 1.44
14. Give Yourself A Chance (LP Mix) - 3.28

Credits
John Westwood (lead guitar, vocals)
Alan Green (bass, vocals)
Dave Rodwell (drums, vocals)

Here



Agnes Strange - Theme For a Dream (1972-1974 uk hard rock and hard blues with 07 tracks unreleased before - flac)


Sometimes, albums become far more interesting because of their back story. Case in point: Agnes Strange. This heavy trio from Southampton, England, led by singer-guitarist John Westwood, somehow didn't make a splash on the early '70s boogie circuit despite their obvious similarities to beloved acts like the Groundhogs, Budgie and the almighty Status Quo.
 Despite some heavy names in their corner, including management company DJM (led by Dick James, who had made a mint off the Beatles' publishing) and A&R folks at Pye Records, some bad luck and inexplicable business decisions led them off course.
 Foremost among these was a fundamental misunderstanding of the term "pub rock," which led Pye to release Strange Flavour on a one-off label called Birdsnest, which was affiliated with a chain of theme pubs of the same name, owned by the beer manufacturer Watney's.
 The existing heavy rock audience at the time reacted much as straight-edge punks would if McDonald's and Sony BMG joined forced to release a hardcore album available only at fast food restaurants, and Strange Flavour disappeared without trace, as did Agnes Strange.
 Funny thing, though: it turns out that Strange Flavour is actually pretty good.
 Produced by Dave Travis, whose remarkably cheesy country albums from the '60s are much beloved by Anglo-kitsch collectors, and engineered by Colin Thurston, who was about a half decade away from his heyday as a name post-punk and new romantic producer, this album is comfortably pitched between the old and the new, or at least the new iterations of the old.
 Agnes Strange an interesting listen for rock obscurantists and old boogie fans alike. This reissue features remastered sound and seven tracks never released before (Stewart Mason )



Tracklisting:
Unreleased Masters (1974):
01.Theme for a Dream - 2:23
02.Messin' Around - 4:58
03.Graveyard - 5:19
04.Rockin' in 'e' - 4:39
05.Dust in the Sunlight - 3:50
06.The Day Dreamer - 3:49
07.Book With No Cover - 5:54

Original Demos (1972):
08.Failure - 5:51
09.Motorway Rebel - 3:46
10.Children of the Absurd - 7:17
11.Clever Fool - 3:31
12.Strange Flavour - 4:15
13.Odd Man Out - 3:45
14.Highway Blues - 9:41

Agnes Strange:
John Westwood: lead guitar & vocals
Alan Green: bass & vocals
Dave Rodwell: drums & vocals




Thursday, March 30, 2017

David Wagner – d/b/a CROW (1972 great us classic rock by Crow lead singer – vinyl rip – flac)


Even with the huge success of their second single ‘Evil Woman’ (it sold upwards of 600,000 copies in it’s first year, and was covered on the first “Black Sabbath” LP), Crow made fateful choices that killed their career in record time. “Atlantic almost signed us,” said Dave Wagner. “We had Atlantic on one line and Amaret on the other. Amaret was decided upon because (managers) Traut and Golden felt we’d get buried with the Atlantic. In a matter of months, it turned out to be the biggest mistake we ever made.” Between late 1969 and early 1971, Crow either opened for or headlined with Jefferson Airplane, Three Dog Night, Steve Miller Band, Steppenwolf, Eric Burdon & War, Janis Joplin (three separate times) and Iron Butterfly. The group was working more than ever, but seemed to be enjoying it less. “We were becoming more and more disillusioned with Amaret by the day,” said Wagner. “We fought with them over our artistic direction. We had some really good material for what was to be our fourth album all ready. But they turned it all down saying it wasn’t commercial enough, or it wasn’t this or that.” Elektra Records were very interested in the group, but Amaret wouldn’t let them out of their contract, unless they wouldn’t use the name Crow. And Elektra didn’t want Crow without their name. In the closing months of 1971, Dave Wagner, feeling there was absolutely no way out of the band’s financial and managerial mess, left the group. In 1972, Amaret released a “Best Of Crow” (Amaret AST 5012) as a sort of epitaph to a this unique band. That same year, Amaret was sold to MGM records. A deal was worked out with MGM for Dave Wagner to release a solo album. “They sent me a list of material to choose from, about twenty songs,” Wagner said. “One of the songs they insisted I re-record was a Micky Newbury tune we had done as Crow called ‘Mobile Blues.’ I worked with some top-notch musicians. Basically, MGM was fulfilling its obligatory contract to get the album (“Dave Wagner, d/b/a Crow”) out. They had no interest in really backing the project.” And so, the album and Crow’s career, came to a quiet end.

Tracklist 
01. Mobile Blue (3:33) 
02. Cado Queen (3:48) 
03. Everything Has Got To Be Free (2:52) 
04. She Makes Me Warm (3:40) 
05. If It Feels Good, Do It (3:07) 
06. Before My Time (3:32) 
07. The Time That I Love You The Most (3:38) 
08. Load The Boat Up, Captain (3:30) 
09. I Don’t Want My Love Refused (3:03) 
10. Victims Of The Darkness (3:07)

Credits
David Wagner: Lead Vocals, Guitar 
Jim Gordon, Johnny Guerin, Larry Brown, Bobby Hally Porter, Joe Osborn, Mike Deasy, Don Peake, Dean Parks, Michael Omartian, Jackie Kelso, Bud Brisbois, Buddy Childers, Ollie Mitchell, Ron Hicklin, Stan Farber, Gene Morford …

Here

The Outsiders - C.Q. (1968 - Netherlands Psychedelic Rock - Flac)


The first thing to say is that this is one of the greatest albums in the history of music. It should be required listening for everybody who likes rock. This album deserves to be much better known. It is a very psychedelic album, in fact it is one of the best psychedelic albums ever made. The combination of power, aggression and beauty is still quite stunning after more than thirty years.
Before buying the album I had never heard anything by the Outsiders but was attracted by their legendary cult status and my growing interest in Dutch psychedelic and progressive music of the sixties and seventies. There are many great bands from the Netherlands who are far too little known internationally.
The Outsiders had a short career and this 1968 album was their last. You can almost understand why this was the band's last album. There is a peaking of power and feeling here, which would be next to impossible to repeat. Every track is a masterpiece.
I bought the album a few weeks ago at Fame in Amsterdam and have been listening to it continuously ever since. If you like psychedelia I would be very surprised if you did not like this album. This is not flower power psychedelia and nor is there anything whimsical about this music, that is very hard edged. It is difficult to compare to other bands but the Pretty Things would possibly be the most similar music or the era.

The outsiders should have been huge internationally. The combination of energy and aggression foreshadows punk. It is not everyone's cup of tea. It's probably one of those love or hate albums. If you like psychedelia but you also love the power of the MC5 and Teenage Head era Flamin Groovies I think you will like this album very much. The musicians are superb. Ronnie splinter should be a world renowned name for the things he was doing with the guitar in 1968. Wally Tax, who wrote the lyrics, is one of the best singers I have heard. The drummer and bass player are both very powerful.
This album should have the same legendary status as 'After Bathing at Baxters', 'Electric Ladyland' and other world renowned classics from 1968.

Another comparison I would make is with Love's 'Forever Changes'. Both albums inhabit a unique and idiosyncratic world of genius. Indeed more than inhabiting, they shape their own particular worlds. To me the world of CQ is a much darker world then Arthur lee's.

There isn't a weak song on the album. Particular highlights for me are 'Zsarrahh', 'Happyville', 'Man on a dune', 'the Bear' and 'Doctor'. The guitar of Ronnie Splinter on the latter track is awesomely powerful and innovative. The last song 'Prison song' is possibly the darkest end to an
album I know and an amazing psychodrama in itself. As soon as I had heard this album for the first time I had to play it all again straight away. I have heard thousand of albums and this is one of the few that has compelled an immediate replay.

The 2001 reissue is a piece of art in itself. Pseudonym have obviously put great effort into the packaging and sleeve notes and you will get great pleasure from this, if you choose to buy the disc. Pseudonym are my favourite reissue label, having done an equally beautiful job with the
reissue of Group 1850s Agemo's Trip to mother earth a few years ago.
Buy this album as soon as you can. You will not regret it.
I hope I have made you want to hear this album. If as a result of reading this review you are tempted to buy it please e-mail me and let me know what you think. It would be nice to know I influenced somebody to listen to the Outsiders.(By James The Bin)

Recorded in September 1968 at the G.T.B. Studio, The Hague, The Netherlands.

Tracks Listing
01. Misfit
02. Zsarrahh
03. C.Q.
04. Daddy Died On Saturday
05. It Seems Like Nothing's Gonna Come My Way
06.. Doctor
07. The Man On The Dune
08. The Bear
09. Happyville
10. You're Everything On Earth
11. Wish You Were Here With Me Today
12. I Love You No. 2
13. Prisonsong
14. Do You Feel Alright
15. Daddy Died On Saturday
16. I Love You No. 2
17. Misfit
18. Happyville
19. Prisonsong

Credits
Frank Beek : Bass, Guitar, Organ, Piano, Vibraphone [Vibes], Cymbal, Vocals
Ronald Splinter : Guitar, Bass, Vocals
Leendert "Buzz" Busch : Drums, Congas, Tambourine, Maracas, Jew's Harp [Mouthharp], Vocals
Wally Tax : Vocals, Guitar, Vibraphone [Vibes], Harmonica, Flute, Balalaika, Tambourine, Cymbal, Organ


Here

Thursday, March 23, 2017

Chango - 1975 Chango - 1976 Honey Is Sweeter Than Blood (Great US Latin Rock - Flac)


Jamming. This is Santana IV, the culmination of heavy Latin groove rock. This album has it all, the screaming Carlos guitar licks (and what chops!), the swirling organ (do you like Hammond? Oh boy, get a doctor, you'll need it), the speed freak machismo lead singer (messed up chicks swoon for this) and of course those danceable and tranced-out rhythms (even this stiff white guy noticed). The lyrics are just what you want from this kind of album: Sex, life-in-the-ghetto, grade-school mysticism and well, sex.
Right off the bat, you're pulverized with "Fire Over Water" followed by the eight minute "Walk on Hell". Do I really need to describe these tracks? Put the environment, instrumentation, song titles and influences together and you've got an aural vision. Many of the songs are catchy too - you'll be humming them for days. "Caminando", "Solid Karma" and especially "Mira Pa 'Ca" just have KILLER melodies. But where Chango excels is in the instrumentals like the pounding "Bollo" and "Bembe" plus the beautiful "Sacapa." But the best is saved for last. The nine minute title track combines relentless energy, tuneful melodies and fiery instrumental playing. It's awe-inspiring. Careful though, as you may find yourself in a big heap afterwards. Of course the closing moments have a 15 year old's imagination-girl-moaning-in-ecstasy bit. It's stupid but somehow fits.
How this album missed the big time is a mystery to me. Being 1975 perhaps it was too late for the early Santana sound, but not too many groups went down this road. I'm guessing that ABC records, not known for their marketing muscle, had no idea how to promote it. There are few albums ever that contains this kind of energy and instrumental virtuosity and combines that with a strong melodic sense. A true masterpiece and a really undiscovered gem. Fortunately the Akarma record company has done us all a favor by releasing this on CD and an exact gatefold LP.
For Chango's second album, Honey is Sweeter Than Blood apparently lead singer Pepe Gomez got too big for his britches and tossed all the members except one, changed labels to Mercury and went soul-pop. The music isn't even recognizable for those who love the first album and is a huge disappointment. For Latin Soul music, it's not bad but not exactly what I'd hoped for. I seriously doubt anyone will reissue this and it doesn't need to be. Just go straight for the first album and never look back. " (From Gnosis - progarchives.com)

Tracklist
01 Fire Over Water 5:34
02 Walk on Hell 7:58
03 Bollo 3:24
04 Caminando 6:57
05 Mira Pa 'Ca 3:00
06 Bembe 0:50
07 Solid Karma 4:50
08 Sacapa 1:14
09 Chango 8:21

Credits
George Tacktikos (guitar, vocals) 
Reinol Andino (timbales, congas, percussion, vocals) 
Pepe Gomez (drums, lead vocals, percussion, piano) 
Burlin Speakes (bass) 
Thomas Alletto (organ, vocals, piano) 
Michael Britton (congas, percussion)



Years ago my buddy Jeff played for me a track from the first Chango album which I really enjoyed and added these guys to my wish list.   A few weeks back at a garage sale I found their second album for a buck !
....and what an excellent discovery this one is too !
 I think their first is really the best of the two that I have heard but in no way is this an album that you should pass on either.   I would say this one is more rock than latin and quite different than their debut album. Best way i can describe this album is try to imagine "Camel" meets "Santana" with a bit of perhaps a dash of "Malo". 
 Apparently the lead singer (Pepe Gomez) for this second album replaced all but one of the band members to record this album.....so no wonder the vibe and feel is so different from the first album.  There are some outstanding latin groove rock moments on this album! (By James Unger)

Tracklist
01 Life Is a Rainbow
02 The Last Ride
03 Meeting The Gods
04 Lady, Lady
05 La Rumba
06 Dr. Jekyll & Mr. Hyde
07 Thumbing A Ride
08 Woman In Black
09 Evil Lady

Credits
Charles Rook (guitar)
Pepe Gomez "Peppy" (lead & backing vocals, drums, piano string ensemble, percussion)
Reinol Andino (congas, timbales, percussion, backing vocals)
Mike Cruz (timbales, percussion, backing vocals) 
Ken Weissman (drums)
Burlin Speakes (bass, acoustic guitar, backing vocals)


02 1976

Wednesday, March 15, 2017

Ray Kennedy - Raymond Louis Kennedy (1970 Us Rock & Soul Rock - Vinyl Rip - Flac)


In 1968 Ray moved from New York to Los Angeles, a year later Ray did a solo album on "United Artist". This album did well and launched his solo career. There were many well known musicians on the album, Bob Mosley on bass from Moby Grape, Jim McCarty guitarist from Mitch Ryder and the Detroit Wheels & Buddy Miles Express, George Suranovich on drums from the group Love, and Duane Hitchings on piano from the Jeff Beck Group. There were many other well known musicians on this album.

Tracklist 
01 - Down On The Farm
02 - She's A Lady
03 - Try Acting Like A Woman
04 - Inside Of Me (There's A Dream)
05 - Something In My Head
06 - Miss Goody Two Shoes
07 - (You Gotta) Know Where You're Going
08 - I Feel A Lot
09 - Bring Back The Old Memories
10 - Sittin' On A Hill


Credits
Ray Kennedy : Lead Vocals, Acoustic Guitar
David Cohen, Jim McCarty, Art Del Judico, Harvey Mandel : Guitar
Bob West, Max Bennett, Bob Mosley : Bass
Dwayne Hitchings, Bill Cuomo : Keyboards
Paul Humphrey, Johnny Raines, George Suranovitch : Drums   

Here

Tuesday, March 14, 2017

Fragile - Fragile - (1976 - Heavy Twin Guitars Rock From Netherlands - Flac)



Fragile was an obscure band that played a heavy, twin guitar rock. They choose this name as a tribute to the band Yes, who had released an album by the same name. The music of Fragile is not unlike Cargo or Wishbone Ash. The band saw the light around 1972. They recorded an album in 1974 but it was not released until 1976. After the album was released their rehearsal location, including their equipment, was burnt down. This didn't make them stop performing, but eventually they did disband the band due to lack of income. In 2004 their album was released on cd.
.
Remastered reissue on CD of the one and only album by Dutch 70's psych/rural band consisting mainly of Mollucans who play guitar like crazy, as we know. On one side long track they expose a tapestry of excellent guitar fuzzing. One of the most wanted albums from Holland, and an absolute ultra rarity, originally made as a private pressing for friends, relatives, etc.(Freak Emporium)

Tracks Listing
01. "Sweet Introspect" 5:17
02. "Caroline Funk" 3:56
03. "Good Evening" 6:49
04. "Back On My Feet Again" 5:07
05. "Face To Face" 5:04
06. "So Sad" 13:01
07. "I Wonder" 4:45


Credits
Henk Limaheluw - guitars
Ferry Limaheluw - guitars
Hank Oraille - vocals, percussion
Chris Limaheluw - bass
Ted Tahapary - drums

Here

Saturday, March 4, 2017

Man - All's Well That Ends Well (1977 uk psych prog rock - flac)


This would have been the final Man album were it not for the fact that, after a few years off, they got back together again. In 1976, the band decided to split and they decided to round things off with a few nights at the Round House in London which was pretty much their home venue despite their Welsh origins.
Those who had the good fortune to see the shows commented that the band were going out at the top. The rest of us are fortunate that, according to their contract, the band owed the record company one more album so we got this show.

Perhaps the enmity within the band drove them to this performance or perhaps the break up put them into some sort of last day of term mood. I think that you can hear a little of both of these in Deke Leonard's vocals. Especially on "Hard Way to Live."

The twin guitars of Leonard and Jones are of course a feature of the band's music but on this album you can hear that they can do the same thing with their voices as well.

The album is a mix of short snappy songs and the longer tracks that provide a platform for the band's extended guitar jams. I think that the mix between the two is just right on this album. We get some great short snappy tracks such as "Romain" and "Hard Way to Live" to go with the longer material. Of the latter, I really like the version of "Spunk Rock" here. Perhaps not the best but certainly a good performance.

This album would make a good introduction to the band. It displays a range of their musical styles and you certainly get to hear their vocals at their best too.(By John Peter O'connor's) 

Tracklist
01."Let the Good Times Roll" (Theard, Moore) – 3:00
02."The Welsh Connection" (Jones, Ryan) – 7:59
03."The Ride and the View" (Leonard) – 6:01
04."Hard Way to Live" (Leonard) – 3:14
05."Born With a Future" (Jones, Leonard, Ryan) – 7:22
06."Spunk Rock" (Jones, Leonard, Williams, Ryan) – 8:31
07."Romain" (Ace, Jones, Leonard) – 4:58



Credits
Terry Williams – vocals & drums
Phil Ryan – vocals & keyboards
John McKenzie – vocals & bass
Deke Leonard – vocals & guitar
Micky Jones – vocals & guitar

Here

Friday, February 10, 2017

Rockets With Jim McCarty - (Great Us Rock - Live Cleveland 79 - Poughkeepsie 80 - Flac)


The Rockets were formed in 1972 by former Mitch Ryder & The Detroit Wheels members Johnny "Bee" Bandajek and Jim McCarty. Vocals and drums were handled by Bandajek, McCarty was on lead guitar, John Fraga was on bass and Marc Marcano was on keyboards. Johnny Bee was the driving force and primary songwriter for the Rockets.
In the early days, The Rockets paid their dues playing gigs at venues such as, The Rainbow Room in Detroit, The People's Ballroom in Ann Arbor, and The Rock 'N Roll Farm in Wayne, Michigan.
The band took on a new sound in 1976 when David Gilbert was brought in to take over vocals from Johnny Bee and Donnie Backus took over on keyboards. Gilbert had fronted several bands and was the lead singer for Ted Nugent and The Amboy Dukes in 1971, touring with them for a year and a half before forming Shadow which led to a record deal with RSO.
The Rockets made five studio albums produced several minor hits including a rocking rendition of Fleetwood Mac's "Oh Well".
Always a popular group in Detroit, and Michigan, The Rockets had gotten some attention outside of the state, but never really got the big break to become a true national act. The first album, Love Transfusion, was released in 1977. It failed to produce any hits. The 1979 self-titled release featured the hits, "Oh Well" and "Turn Up The Radio". This record also featured on bass, David Hood, one of the "Swampers" from the famous Muscle Shoals Sound Studios in Alabama. Muscle Shoals was mentioned in Lynyrd Skynyrd's southern rock anthem "Sweet Home Alabama". Also, this Rockets album was dedicated to Skynyrd members Ronnie Van Zant, Steve Gaines and Cassie Gaines, who all perished in Skynyrd's infamous 1977 plane crash. The third attempt came (with the addition of a new bass player, Dan Keylon) in 1980 with "No Ballads", "Desire" was a popular tune from this album. Next came the Back Talk album in '81 (with another new bass player, Bobby Haralson) and then finally Rocket Roll in 1982. "Rollin' By The Record Machine" from this release was the last hit for the band. The final release, Live Rockets, was recorded on New Year's Eve 1982 at the Royal Oak Music Theatre near Detroit.





Here

Monday, January 23, 2017

Jim McCarty - Johnny "Bee" Badanjek - Marvin Conrad - 2011-08-02 - Callahans - Auburn Hills, MI (Flac)


They were only a warm up for Johnny Winter , and musically it is the world upside down !!!
What a show... people begin to leave venue after this show... Not to wait for Johnny Winter. McCarty is real deal ! and what about the voice of Badanjek , I have the impression of hearing Nick Gravenites !!!
Thank you Billy Bardo for this gemm !!!

Jim McCarty - Guitar, Vocals
Johnny "Bee" Badanjek - Drums - Lead Vocals
Marvin Conrad - Bass


Here

Wednesday, January 18, 2017

John The Revelator – Wild Blues (1970 - Great Blues From Netherland Influenced By Fleetwood Mac - flac)


Back in 1966 when Eric Clapton delivered his heavily overdriven wailing blues licks on the “Beano” 
album with John Mayall’s Bluesbreakers, the guitar world was completely shaken up. Legend has it that Eric put his hand flat on the controls of his Marshall combo, moved his hand to the right, setting all controls full power in the process.
Future Revelator singer and bassman Tom Huissen lived in London at the time that the blues scene triggered by Clapton’s trademark guitar work exploded.He became pals with Peter Green, Eric’s successor in the Bluesbreakers, and witnessed the first rehearsals of Pete’s then new band Fleetwood Mac.
 Immediately after returning in Holland Tom started to form a blues band modelled after Fleetwood Mac.Finding the right guys for the job was not too hard and the band started to rehearse with cheap guitars, old tube driven radios for amplifiers and a tyre lever for playing bottleneck guitar.
Early in 1969 the band adopted the name “John the Revelator” after the A Capella blues traditional by the great Son House.John the Revelator took off immediately and extensively started gigging the Dutch and European blues circuits that were thriving at the time.
After winning the prestigious Loosdrecht Jazz contest in 1970 record label Decca offered the band a recording contract resulting in the first album Wild Blues.This highly collectable record was re-released on CD in 2003.


Personnel:
Joseph DeWilde (guitar, slide guitar)
Charles Van Den Heuvel (piano)
Henno Van Donselaar (saxophone)
Fred Huissen (drums) 
Tom Huissen (bass, vocals)
Frans Ten Kleij (guitar, harmonica)
Charles Van Der Steeg (saxophone, flute)
+
Hans van Hemert (synthesizer, mellotron)
Hille VanDer Galien (percussion) 

Tracklist:
01. John The Revelator (Traditional) 0.46
02. I Can't Stop Lovin' You (James) 3.02
03. Worried Dreams (King) 5.41
04. Charlie's Drive Inn (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg)
05. Talk To Me, Baby (James) 5.01
06. Personal Manager (King/Porter) 4.35
07. Wild Blues (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg) 1.37
08. Bleeding Heart (James) 4.42
09. No Woman (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg) 3.12
10. Homework (Clark/Perkins) 3.05
11. Yeah (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg) 3.03
12. Rockin' Squirrel (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg) 3.34
13. One Track Mind (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg) 4.44
14. I Can't Stop Lovin' You (James) 3.22
15. Little Red Rooster (Dixon) 4.17
16. Worried Dreams (DeWilde/Heuvel/Donselaar/F.Huissen/T.Huissen/Kleij/Steeg) 4.50
17. Kokomo (live 2011) (McDowell) 8.32